If you are interested in having me speak on a panel for your horror festival or convention about my book, horror screenwriting in general, or to get a screening of The Cursed, please contact me by leaving a comment on this post. I am soliciting any and all takers right now for the late 2009-2010 season.
Life has an interesting way of pointing things out to you when you least expect or want it. Like a good friend that gives advice, you can choose to listen to it or nod, smile, and then file it in the mental circular bin. This time, I am choosing to listen to that advice life is giving me.
After a long a restful weekend, here’s how the premiere for The Cursed went here in McMinnville at the United Steelworkers Union Hall on June 25th.
Pygame Package Builder has definitely not been forgotten. I’ve been spending what little spare moments I have in the last 2 weeks getting it ready. I thought PPB was almost ready for prime time when the Python gods brandished their flaming swords of bugs and hurled maniacal laughter at me while I read through tracebacks.
After a long and arduous journey, The Cursed (formerly Tenebrous), has a world premiere set for the general public! I’ve been working long and hard to get everything in place and it looks great. The premiere will be held near where I live, in Tennesee. Here are the specifics.
A short but sweet nugget found in the Prelinger Archives on Archive.org shows the early history and advancements in movie-making technology.
The final trailer for The Cursed is now out. You can view it here or on YouTube or MySpace.
Just got back from seeing Star Trek at the theater. Aside from a few glitches at the place I went to (there’s no other theater within 50 miles), the movie surprised me.
Although I was there for only 5 hours, I had a blast at the Full Moon Tattoo & Horror Festival. The show’s organizers did a really awesome job of putting it together, although I think they could’ve used just a tad more space for some of the show, especially the tattoo section.
Given the amount of traffic my other post about investing in movies and trying to clear the air about the reality of independent filmmaking these days, I realized there were quite a number of salient points which were not included in the original. Included here is a followup to that post with some in-depth information for potential investors, laying it all out as to why things aren’t what they think they are these days versus 5-8 years ago.
